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The lobster torrent

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The lobster torrent

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The Lobster Torrent

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Yorgos Lanthimos, Efthymis Filippou. Three orphaned siblings are forced upon confirmed bachelor Donovan Bill Bixby in a nineteenth century boom town of Quake City, California.

After an earthquake shakes the area, the children find a large gold nugget worth tens of thousands of dollars. But their newfound wealth is causing more problems than it's solving, so they agree to "give" the gold to two bumbling outlaws Tim Conway and Don Knott's.

But they only way they can get the gold is to steal it from the bank vault where it's being held for safe keeping.

At the age of 10 years, he is snatched from his adoptive mother and entrusted to the signor Vitalis, a mysterious itinerant musician.

Has its sides, he will learn the harsh life of acrobat and sing to win his bread. Accompanied by the faithful dog capi and of the small monkey Joli-Coeur, his long trip through France, made for meetings, friendships and mutual assistance, leads him to the secret of its origins.

A gifted but insecure woman is in for a transformative experience when she enlists an enigmatic con to help recover her stolen car from a Mumbai thug.

Kate is a young woman subscribed to bad decisions. Working as an elf in a year round Christmas store is not good for the wannabe singer. However, she meets Tom there.

Her life takes a new turn. For Kate, it seems too good to be true. The Lobster. Title: The Lobster Release: Rating: 7. The Lobster Subtitles.

Step 2 of 2 How did you buy your ticket? Let's get your review verified. Fandango AMCTheatres. More Info.

Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.

How did you buy your ticket? View All Videos 2. View All Photos Movie Info. Colin Farrell stars as David, a man who has just been dumped by his wife.

To make matters worse, David lives in a society where single people have 45 days to find true love, or else they are turned into the animal of their choice and released into the woods.

David is kept at the mysterious hotel while he searches for a new partner, and after several romantic misadventures decides to make a daring escape to abandon this world.

He ultimately joins up with a rebel faction known as The Loners, a group founded on a complete rejection of romance. But once there David meets an enigmatic stranger Rachel Weisz who stirs up unexpected and strong feelings within him At once a full immersion into a strange and surreal world, and a witty and clever reflection of our own society, THE LOBSTER is a thrillingly audacious vision fully brought to life by Lanthimos and his terrific cast.

The filmmaker displays a completely singular style and mastery of tone, finding the perfect balance between sharp-edged satire and romantic fable that entertains its audience while also leaving them with lots to reflect on long after the credits have rolled.

Yorgos Lanthimos. Yorgos Lanthimos , Efthimis Filippou. Aug 2, Colin Farrell as David. Rachel Weisz as Short Sighted Woman. Ben Whishaw as The Limping Man.

John C. Reilly as Lisping Man. Olivia Colman as Hotel Manager. Jessica Barden as Nosebleed Woman. Angeliki Papoulia as Heartless Woman.

Ashley Jensen as Biscuit Woman. Roger Ashton-Griffiths as Doctor. Michael Smiley as Loner Swimmer. Ariane Labed as The Maid. Rosanna Hoult as David's wife.

Anthony Dougall as 70 Year Old Waiter. Jacqueline Abrahams as Donkey Shooter. Sean Duggan as Guard Waiter. James Finnegan as Bald Man.

Roland Ferrandi as Loner Leader's Father. Robert Heaney as Restaurant Waiter. Patrick Malone as Campari Man. Kevin McCormack as Police Officer 2.

Kathy Kelly as Police Officer 1. Garry Mountaine as Hotel Manager's Partner. Judi King Murphy as Guest Room Laoise Murphy as Girl Child.

Nancy Onu as Hotel Receptionist. Ishmael Moalosi as Bandaged Loner. Anthony Moriarty as 30 Year Old Waiter. Matthew O'Brien as Trapped Loner.

Sandra Mason as Arrested Town Woman. Oscar Winners Full List. Where to Watch Every Oscar Nominee. June 1, Rating: 3. May 27, Rating: B Full Review…. May 27, Rating: 3.

May 26, Full Review…. May 26, Rating: 3. July 24, Rating: 4. May 4, Full Review…. March 11, Full Review….

February 13, Full Review…. View All Critic Reviews Mar 05, Disputing which genre The Lobster falls under is the most interesting aspect of it.

If you don't find a partner within 45 days, you become transformed into an animal of your choosing. On the surface, the premise is absurd and most of the movie comes off in the same way.

The monotone dialogue and bleak scenery are metaphors for how modern dating is largely based on technology and texting, which can oftentimes feel void of all emotion and chemistry.

The film is so bleak and depressing that it oftentimes feels like a strange nightmare. The delivery of the dialogue is supposed to be considered comedy, but it rarely ever rises above mildly humorous.

It undoubtedly encourages you to compare your own views on relationships with the social undertones it presents to the audience, but The Lobster runs low on entertainment value.

It's one of those films that's part of the curriculum of a college level English course that isn't meant to entertain you, but to educate you.

Kevin M Super Reviewer. Jan 02, When people decry the relentless slate of sequels, remakes, and redundancy from the Hollywood assembly line, they're looking for something original and different, and there may be no movie more different this year than Yorgos Lanthimos's The Lobster.

David Colin Farrell is the newest guest at the Hotel, a place for singles to find their true love. He has 40 days to fall in love with a compatible mate or else he will be transformed into an animal of his choice hence the title, David's choice.

The people at the hotel are all in competition to find their mate. Outside the confines of the hotel, in the woods, are dreaded single people, those who ignored the rules of society.

They are to be feared and hotel guests are rewarded for capturing wild singles on weekly hunting trips.

One way or another, David is going to have to decide his place in society as a person or animal. The Lobster is daringly different, wildly imaginative, and drops you into the middle of its cracked, alternative landscape and expects you to pick things up as you go.

This is a world that opens with a distraught woman driving a long distance just so she can shoot a donkey in the head. Who is this woman?

Why would she purposely murder this animal? Why is she so emotionally invested? And with that jarring act of peculiar violence, we're off.

We're never told how this world came to be, it just simply is. There isn't any extensive exposition save for one initial sit down David has with hotel management to determine what animal he'd like to turn into at the end of his stay if unsuccessful in love.

There's a genuine sense of authenticity to this deeply weird place and the characters all play it with straight-laced absurdity, which makes the satire land even harder.

It sells even the most bizarre aspects, like the ongoing visual incongruity of wild animals just trotting around the background. You can sit back and think, "I wonder what that peacock's story was, or that donkey, etc.

I loved discovering new little wrinkles and rules to Lanthimos' world that made perfect sense within its parameters.

In a world where coupling is the only goal, of course masturbation would be a punishable crime. I enjoyed that there are other means guests have to stay at the hotel, chief among them hunting down the loners in the woods, which allow the more awkward or anti-social guests added time at the expense of others.

Even in a world this bizarre, there are people who are making their own way, including the revolutionaries in the woods more on them later.

The movie is exceedingly funny and so matter-of-fact about its peculiarities to make it even funnier. The movie straddles the line between skewed ironic romance and cynicism, so I'm not surprised it's rubbed people the wrong way.

It's certainly written from the point of view of someone who is single and those currently in that category will likely relate the most to the film's strident social commentary.

The pressures can seem absurd in their own regard, and the film has a clever concoction where the "happy couples" are merely two people who share a superficial physical trait.

These two people are near-sighted. These two people get nosebleeds. These two people have a limp. It's not exactly subtle but the satiric effect is still effective.

The hotel manager says, to a newly cemented couple, "If you encounter any problems you cannot resolve yourselves, you will be assigned children, that usually helps.

She is ignored and often threatens to kill herself, and then one day she does it by jumping out a hotel window, but she's not successful.

It's one more dark, awful ironic point of suffering for this woman, and she screams in agony while others ignore her, including a clearly affected David, still trying to play indifferent to win over the hard-hearted woman he sees as his best way out of the hotel.

It's a hard moment to process but one that made me admire the film even more for the cold courage of its convictions. Supplementing the dark satire is an off-kilter romance that emerges halfway through the film once David escapes the hotel.

It's here that the movie shows glimmers of hope for the hopeless as David and this woman are drawn to one another. They're in a world of outcasts but the rules of those in the forest do not allow coupling.

They reject the expectations of the ruling order, and so they must remain resolutely single. They build up their own secret non-verbal language to communicate their feelings, much like a couple builds its own personal shorthand and inside jokes.

The loners are only to listen to music individually and dance the same, but David and the Short-Sighted Woman synch their CD players to listen to the same track, to simulate like they are sharing a dance together even if not in proximity.

It's here where The Lobster becomes a beguiling and surprising love story and one where the heartless may grow a heart, watching two odd people find one another in such an odd world.

However, Lanthimos does not let this emergence of romance blunt his message. The loner leader Lea Seydoux suspects coupling in her group and goes to some pretty drastic lengths to test the fortitude of feelings between David and his secret girlfriend.

It's like getting cold water dumped on the runaway spell of optimism. The fitting ending is left in ambiguity for the audience to determine whether they were meant to be after all.

It's also in the second half of The Lobster that the movie loses some of its grandeur and momentum. We're introduced to a new primary setting with new rules to adapt to and a new order to follow, and there's a general interest to discovering another competing area of this landscape with a diametrically opposed social order.

They punish people by mutilating parts that come into affectionate contact with another person.

We see a couple with bandages around their red, swollen mouths, and then the reference of the "red intercourse" makes your imagination fill in the horrific blanks.

David has left one regime dictating his life to another regime dictating his life, but they just aren't as interesting. It feels like the film is starting to repeat itself.

I would say the second half world building isn't as compelling as the first but that's why the romance emerges, something for the audience to root for.

Now that he's finally found someone he connects with they're not allowed to be together. There's never a shortage of irony in a Lanthimos movie.

The actors are perfectly in synch with the strange rhythms of this world, and Farrell Fantastic Beasts and Where to Find Them and Weisz The Light Between Oceans deserve special attention for their committed performances.

Farrell gained 40 pounds for the role, which seems to have translated right into his stint on season two of HBO's True Detective.

He's a schlubby guy that's still mourning the deterioration of his marriage and larger society is insisting he get over it. He has only 40 days to recover or he'll be plucked from the ranks of humanity.

There's great sadness tinged in his nonchalant responses to the absurd realities of this world, and Farrell keeps finding ways to make you laugh and wince.

Weisz is our placid voice into the strange new world and it helps establish a sense of grounding as well as connection to her character when she eventually emerges.

She injects a palpable sense of yearning to her character, especially once David is in reach and they begin their relationship. It's got the cute romantic comedy staples but on its own terms, and seeing Weisz smile warmly is a pleasure in a morbid movie.

The Lobster is a romance for our age and an indictment of the romance of our age, an era where the swipe of a finger on an app is the arbitrator of contemporary dating.

It's a satire on our fixation of coupledom and being in relationships even when they're not sensible. It's a cracked fairy tale that punctuates the romantic love we've watched distilled to an essence in Hollywood movies.

It's a surreal and dark movie that manages to become emotionally moving and poignant, leaving on a note of uncertainty enough for different factions in the audience to interpret as either hopeful or hopeless.

The Lobster is a unique movie with a singular artistic voice that dominates every shape of the narrative, the characters, and the boundaries of this fantastic alternative world.

I imagine my depth of feeling for the movie will only grow the more I watch it. This isn't an overwhelmingly dark or unpleasant movie without the presence of some light.

It's not an overly off-putting movie without an accessibility for a curious audience, whether those people are single or in happy relationships.

The movie is inventive, transporting, but still relatable, rooting the nexus of its weirdness on the same awkwardness and anxiety everyone feels with the prospects of prolonged romantic courtship.

If was a year that celebrated the oddities of cinema getting their due, then The Lobster is a captivating and unusual creation deserving of its spotlight and surefire future cult status amidst lovers of the weird.

Nate's Grade: A. Nate Z Super Reviewer. Dec 21,

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A love story set in a dystopian near future where single people are arrested and transferred to a creepy hotel. There they are obliged to find a matching mate in 45 days.

If they fail, they are transformed into an animal and released into the woods. Yorgos Lanthimos, Efthymis Filippou. Three orphaned siblings are forced upon confirmed bachelor Donovan Bill Bixby in a nineteenth century boom town of Quake City, California.

After an earthquake shakes the area, the children find a large gold nugget worth tens of thousands of dollars. But their newfound wealth is causing more problems than it's solving, so they agree to "give" the gold to two bumbling outlaws Tim Conway and Don Knott's.

But they only way they can get the gold is to steal it from the bank vault where it's being held for safe keeping.

At the age of 10 years, he is snatched from his adoptive mother and entrusted to the signor Vitalis, a mysterious itinerant musician.

Has its sides, he will learn the harsh life of acrobat and sing to win his bread. Accompanied by the faithful dog capi and of the small monkey Joli-Coeur, his long trip through France, made for meetings, friendships and mutual assistance, leads him to the secret of its origins.

A gifted but insecure woman is in for a transformative experience when she enlists an enigmatic con to help recover her stolen car from a Mumbai thug.

Kate is a young woman subscribed to bad decisions. Working as an elf in a year round Christmas store is not good for the wannabe singer.

However, she meets Tom there. Her life takes a new turn. For Kate, it seems too good to be true. Last Name. By signing up, you agree to receiving newsletters from Rotten Tomatoes.

You may later unsubscribe. Create your account Already have an account? Email Address. Real Quick. We want to hear what you have to say but need to verify your email.

Please click the link below to receive your verification email. Cancel Resend Email. Add Article. The Lobster Critics Consensus As strange as it is thrillingly ambitious, The Lobster is definitely an acquired taste -- but for viewers with the fortitude to crack through Yorgos Lanthimos' offbeat sensibilities, it should prove a savory cinematic treat.

See score details. Rate And Review Submit review Want to see. Super Reviewer. Rate this movie Oof, that was Rotten.

What did you think of the movie? Step 2 of 2 How did you buy your ticket? Let's get your review verified. Fandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.

How did you buy your ticket? View All Videos 2. View All Photos Movie Info. Colin Farrell stars as David, a man who has just been dumped by his wife.

To make matters worse, David lives in a society where single people have 45 days to find true love, or else they are turned into the animal of their choice and released into the woods.

David is kept at the mysterious hotel while he searches for a new partner, and after several romantic misadventures decides to make a daring escape to abandon this world.

He ultimately joins up with a rebel faction known as The Loners, a group founded on a complete rejection of romance.

But once there David meets an enigmatic stranger Rachel Weisz who stirs up unexpected and strong feelings within him At once a full immersion into a strange and surreal world, and a witty and clever reflection of our own society, THE LOBSTER is a thrillingly audacious vision fully brought to life by Lanthimos and his terrific cast.

The filmmaker displays a completely singular style and mastery of tone, finding the perfect balance between sharp-edged satire and romantic fable that entertains its audience while also leaving them with lots to reflect on long after the credits have rolled.

Yorgos Lanthimos. Yorgos Lanthimos , Efthimis Filippou. Aug 2, Colin Farrell as David. Rachel Weisz as Short Sighted Woman. Ben Whishaw as The Limping Man.

John C. Reilly as Lisping Man. Olivia Colman as Hotel Manager. Jessica Barden as Nosebleed Woman. Angeliki Papoulia as Heartless Woman.

Ashley Jensen as Biscuit Woman. Roger Ashton-Griffiths as Doctor. Michael Smiley as Loner Swimmer.

Ariane Labed as The Maid. Rosanna Hoult as David's wife. Anthony Dougall as 70 Year Old Waiter. Jacqueline Abrahams as Donkey Shooter. Sean Duggan as Guard Waiter.

James Finnegan as Bald Man. Roland Ferrandi as Loner Leader's Father. Robert Heaney as Restaurant Waiter. Patrick Malone as Campari Man. Kevin McCormack as Police Officer 2.

Kathy Kelly as Police Officer 1. Garry Mountaine as Hotel Manager's Partner. Judi King Murphy as Guest Room Laoise Murphy as Girl Child.

Nancy Onu as Hotel Receptionist. Ishmael Moalosi as Bandaged Loner. Anthony Moriarty as 30 Year Old Waiter. Matthew O'Brien as Trapped Loner.

Sandra Mason as Arrested Town Woman. Oscar Winners Full List. Where to Watch Every Oscar Nominee.

June 1, Rating: 3. May 27, Rating: B Full Review…. May 27, Rating: 3. May 26, Full Review…. May 26, Rating: 3. July 24, Rating: 4.

May 4, Full Review…. March 11, Full Review…. February 13, Full Review…. View All Critic Reviews Mar 05, Disputing which genre The Lobster falls under is the most interesting aspect of it.

If you don't find a partner within 45 days, you become transformed into an animal of your choosing. On the surface, the premise is absurd and most of the movie comes off in the same way.

The monotone dialogue and bleak scenery are metaphors for how modern dating is largely based on technology and texting, which can oftentimes feel void of all emotion and chemistry.

The film is so bleak and depressing that it oftentimes feels like a strange nightmare. The delivery of the dialogue is supposed to be considered comedy, but it rarely ever rises above mildly humorous.

It undoubtedly encourages you to compare your own views on relationships with the social undertones it presents to the audience, but The Lobster runs low on entertainment value.

It's one of those films that's part of the curriculum of a college level English course that isn't meant to entertain you, but to educate you.

Kevin M Super Reviewer. Jan 02, When people decry the relentless slate of sequels, remakes, and redundancy from the Hollywood assembly line, they're looking for something original and different, and there may be no movie more different this year than Yorgos Lanthimos's The Lobster.

David Colin Farrell is the newest guest at the Hotel, a place for singles to find their true love.

He has 40 days to fall in love with a compatible mate or else he will be transformed into an animal of his choice hence the title, David's choice.

The people at the hotel are all in competition to find their mate. Outside the confines of the hotel, in the woods, are dreaded single people, those who ignored the rules of society.

They are to be feared and hotel guests are rewarded for capturing wild singles on weekly hunting trips. One way or another, David is going to have to decide his place in society as a person or animal.

The Lobster is daringly different, wildly imaginative, and drops you into the middle of its cracked, alternative landscape and expects you to pick things up as you go.

This is a world that opens with a distraught woman driving a long distance just so she can shoot a donkey in the head. Who is this woman? Why would she purposely murder this animal?

Why is she so emotionally invested? And with that jarring act of peculiar violence, we're off. We're never told how this world came to be, it just simply is.

There isn't any extensive exposition save for one initial sit down David has with hotel management to determine what animal he'd like to turn into at the end of his stay if unsuccessful in love.

There's a genuine sense of authenticity to this deeply weird place and the characters all play it with straight-laced absurdity, which makes the satire land even harder.

It sells even the most bizarre aspects, like the ongoing visual incongruity of wild animals just trotting around the background. You can sit back and think, "I wonder what that peacock's story was, or that donkey, etc.

I loved discovering new little wrinkles and rules to Lanthimos' world that made perfect sense within its parameters. In a world where coupling is the only goal, of course masturbation would be a punishable crime.

I enjoyed that there are other means guests have to stay at the hotel, chief among them hunting down the loners in the woods, which allow the more awkward or anti-social guests added time at the expense of others.

Even in a world this bizarre, there are people who are making their own way, including the revolutionaries in the woods more on them later.

The movie is exceedingly funny and so matter-of-fact about its peculiarities to make it even funnier.

The movie straddles the line between skewed ironic romance and cynicism, so I'm not surprised it's rubbed people the wrong way. It's certainly written from the point of view of someone who is single and those currently in that category will likely relate the most to the film's strident social commentary.

The pressures can seem absurd in their own regard, and the film has a clever concoction where the "happy couples" are merely two people who share a superficial physical trait.

These two people are near-sighted. These two people get nosebleeds. These two people have a limp. It's not exactly subtle but the satiric effect is still effective.

The hotel manager says, to a newly cemented couple, "If you encounter any problems you cannot resolve yourselves, you will be assigned children, that usually helps.

She is ignored and often threatens to kill herself, and then one day she does it by jumping out a hotel window, but she's not successful.

It's one more dark, awful ironic point of suffering for this woman, and she screams in agony while others ignore her, including a clearly affected David, still trying to play indifferent to win over the hard-hearted woman he sees as his best way out of the hotel.

It's a hard moment to process but one that made me admire the film even more for the cold courage of its convictions.

Supplementing the dark satire is an off-kilter romance that emerges halfway through the film once David escapes the hotel. It's here that the movie shows glimmers of hope for the hopeless as David and this woman are drawn to one another.

They're in a world of outcasts but the rules of those in the forest do not allow coupling. They reject the expectations of the ruling order, and so they must remain resolutely single.

They build up their own secret non-verbal language to communicate their feelings, much like a couple builds its own personal shorthand and inside jokes.

The loners are only to listen to music individually and dance the same, but David and the Short-Sighted Woman synch their CD players to listen to the same track, to simulate like they are sharing a dance together even if not in proximity.

It's here where The Lobster becomes a beguiling and surprising love story and one where the heartless may grow a heart, watching two odd people find one another in such an odd world.

However, Lanthimos does not let this emergence of romance blunt his message. The loner leader Lea Seydoux suspects coupling in her group and goes to some pretty drastic lengths to test the fortitude of feelings between David and his secret girlfriend.

It's like getting cold water dumped on the runaway spell of optimism. The fitting ending is left in ambiguity for the audience to determine whether they were meant to be after all.

It's also in the second half of The Lobster that the movie loses some of its grandeur and momentum. We're introduced to a new primary setting with new rules to adapt to and a new order to follow, and there's a general interest to discovering another competing area of this landscape with a diametrically opposed social order.

They punish people by mutilating parts that come into affectionate contact with another person. We see a couple with bandages around their red, swollen mouths, and then the reference of the "red intercourse" makes your imagination fill in the horrific blanks.

David has left one regime dictating his life to another regime dictating his life, but they just aren't as interesting. It feels like the film is starting to repeat itself.

I would say the second half world building isn't as compelling as the first but that's why the romance emerges, something for the audience to root for.

Now that he's finally found someone he connects with they're not allowed to be together. There's never a shortage of irony in a Lanthimos movie.

The actors are perfectly in synch with the strange rhythms of this world, and Farrell Fantastic Beasts and Where to Find Them and Weisz The Light Between Oceans deserve special attention for their committed performances.

Farrell gained 40 pounds for the role, which seems to have translated right into his stint on season two of HBO's True Detective.

He's a schlubby guy that's still mourning the deterioration of his marriage and larger society is insisting he get over it.

He has only 40 days to recover or he'll be plucked from the ranks of humanity. There's great sadness tinged in his nonchalant responses to the absurd realities of this world, and Farrell keeps finding ways to make you laugh and wince.

The Lobster Torrent Video

The Lobster Movie CLIP - Choice (2016) - Colin Farrell, Olivia Colman Movie HD

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